Magnus CD review in The Big Takeover

Magnus Sleepwalker
(on Nefarious Records)

One goes through a thoroughly depressing pile of 46 CDs by unknown artists utterly bereft of advanced talent and imagination, calling "Next!," hoping against hope there might be one like this hidden there. Wherefore art though, Cinderella trying to get noticed behind her wretched stepmom/sisters? But at last, here she is, not too late for the ball!

What they remind of is early 1990s (i.e. comeback) Comsat Angels, with some Adam and Eve Catherine Wheel too. It's that marvelous swirling guitar edge, bonded to hard pop tunes that slowly but forcefully unfold and then implode, the pensive touches (love the trumpets and bits of piano, like on "Drinking With Baron," and the feeding back cello on "Awake"), the clear and clear-eyed singing, the long languid passages that give way to building storms, and riffs that catch you from first play. Excellent!

This Chicago group won't fall in line with prevailing indie rock elements, putting up a false intensity. They just let the delighting, surprising turns in their tightly-written and executed music speak volumes. I can't remember the last time I heard such inventive guitar passages from an American band that doesn't ape Neil Young, yet seems like they might have heard Brian Eno's Here Come the Warm Jets or Radiohead's Ok Computer along the way, and understood the dynamic trichotomies of beauty, brain, and aggression inherent in both. I know next to nothing about Stephen and David Wade, George Patrick, or Scott Schaafsma (and Simon Hunt) other than that they had a 2002 debut EP I really need to get. But after playing their LP so much, I might write them a fan letter (and see if the slipper fits).

With music of this striking power right under our noses, the rest of America rock and its overwhelming mediocrity just lost its excuse.
--Jack Rabid

links:
http://www.magnusmusic.net
http://www.nefariousrecords.com

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The Fuse

Saw this west coast hard-core band at the Empty Bottle. The place was empty because International Pop Overthrow is in town. The band's CD is very good and the live show even better. Makes me want to revisit the CD. But, the standout of the night was the drummer. He sat so high above the kit that you could see him from knees--up. The cymbols were so high up that he could just reach them -- or when needed--stand up and bash the fuck out of them. I assumed he was either 7 feet tall with no legs--or 4 feet tall with gorilla arms. In fact, he was human. The band left the stage after a great set--and I cornered the drummer. The dude was completely modest, somewhat taken aback, and so happy that I was asking him about every thing he did behind the drum kit. It turns out that it is simply the way he bangs the drums. You don't have to love this band--although I'm getting close--to fully appreciate an extraordinary drummer. Front man tries hard--drummer steals the show! I couldn't take my eyes off him--even when the front man was writhing on the floor at my feet.
--Dem

Weird War / The Rapture / BRMC

The set started strong with 3 cuts from the Scene Creamers CD but quickly turned into a bore. A band that one year ago did one of the most inspired sets I have ever seen, was disappointing last fall and kind of a wate of time last Friday. The new material is very weak and the band seems to be involving into a funk band. That would be just fine--if they could play funk. I love good funk but when it is bad (quite frequently it seems) it is torture. I'm also not getting much of a spark from Ian and his performance has to be at top-level or the band's show to come off. It probably wasn't as bad as I am making it out to be--it was the high expectations that I went to the club with that made the performance seem all that much more lackluster. However, Friday's dismal show was more than made up for last night by BRMC and The Rapture--both bands putting on high-energy tight shows and The Rapture turning in a perfect set from start to finish.
--Dem

Eagles Of Death Metal/ Pixies dates

Run, run, run to get this CD. Produced by Josh Homme of Queens of the Stoneage, it is butt-shaking great rock n roll. These songs are going to translate so well on stage. Solid beats, great vocals and a whole lot of fun. Might be my highest recommendation of a CD for this new year. The CD is fine throughout--but is worth the price for "Miss Alissa" alone. Nothing fancy--just great music. Also, Pixies announced US tour dates--Chicago is November 13th at the Aragon. I don't think on-sale date has been released yet for the
Fall part of the US tour.
--Dem